Saturday, October 8, 2011

Arizona Print Group Reception




Last night was the First Friday Reception for the "Trinity" themed exhibition at the Olney Gallery.  The weather in Phoenix has finally turned cooler and people were out and about celebrating this turn of events.  It was another opportunity for the Arizona Print Group members in attendance to spread the word about printmaking and explain our processes and media to appreciate viewers.  And it was wonderful to see old and new friends coming by to see our new works.

The Olney Gallery is an exceptionally nice space, run by the nicest people.  They also throw two receptions each month so if you didn't make it last night, come by on Friday October 21st for our Third Friday reception.  We would love to show you what we've been doing!  The hours are 6-9:30 pm and the location is Central and Roosevelt in downtown Phoenix.

I am putting more images of the art from last night up on my flickr site.  See what all the fuss is about...

Saturday, October 1, 2011

Exhibitions Coming and Going

JOHN ARMSTRONG
John Armstrong's Monoprints 
Yesterday, Marlys and I attended the opening reception for John Armstrong's exhibition at the Peoria City Hall Art Gallery.  It was wonderful to see his prints on display and listen to him talk about his process and techniques.  Printmakers do share all their secrets!  If you have a chance to go, it is tricky to find - the gallery is IN City Hall.  Here is a link to the Gallery.  The work will be up until October 26th.

KATHRYN AND ANDY POLK
Kathryn Polk
This afternoon Marlys and I are driving to Tucson and back for the opening of Kathryn and Andy Polk's exhibition at the Davis Dominguez Gallery.   Andy's paintings look amazing on the gallery website and I can't wait to see them in person.  There is no substitute for seeing art in person.  Kathryn's lithos and drawings are also on display.  Her work is so full of humor and thought.  I can always relate to her point of view and admire her commitment to lithography.

ARIZONA BILL 1070 PRINT EXCHANGE
The 1070 Print Exchange in which I participated has been accepted into the The Border Project:  Soundscapes, Landscapes and Lifescapes Exhibit.  The prints will be on display at the University of Arizona Art Museum from November 17, 2011 to March 11, 2012.
The exhibit will be held in conjunction with the University of Arizona Border Research Group Symposium, December 2-3, 2011.  Both events focus on the relations among arts, culture, politics and history in the US/Mexico borderlands.
Rossitza Todorova's SB 1070 print
Rossitza Todorova is the curator of the print exchange.  She started the project when she was living in Reno, NV and now is getting her masters in drawing from ASU.  Marlys Kubicek and Kathryn and Andy Polk also have prints in the print exchange.  You can see all the images here on Facebook.  But remember there is no substitute for seeing them in person!

ARIZONA PRINT GROUP AT OLNEY GALLERY
The Arizona Print Group exhibition "Trinity" opens Friday at the Trinity Cathedral Olney Gallery, at Central in Roosevelt in downtown Phoenix.  There will be two receptions - this Friday and Third Friday 6-9pm.  Stop by either one to say hello and see some wonderful and diverse examples of contemporary printmaking!

Sunday, September 11, 2011

September 11, 2011

Having participated in the exhibition "Discrepancy:  living between war and peace" now showing at the Napa Valley Museum, and having done so much research on the people who fell from the World Trade Center, I feel very connected to all that is being done to mark the anniversary.  I just watched (on dvr) a special pre-game celebration of the 2001 Baseball World Series before tonight's Diamondbacks game with almost the entire team coming back to our ballpark.  Our old pitchers, Randy Johnson and Curt Schilling, threw out the first pitch.  It seems like the antithesis to all the pain and sadness, to remember how happy and surprised we were to win such an impossible feat at such an emotional time.
 As good as those memories are, it is still so sad.  The sadness is staying with me because I learned recently that our soldiers who are fighting in Iraq and Afghanistan, don't understand how much the American people support and respect them.  My sister, Nancy Willis, who conceived and curated the exhibition, took a group of veterans from the Pathway Home program through the show where they could see how all the artists expressed their individual points of view about the events of that time.   Pathway Home is one of the rare places where soldiers coming home the war can go to get help with post traumatic stress.  One of the therapeutic art projects in the program is the creation of masks, where they paint what they feel people see of them on the outside and what they feel about themselves on the inside.  Some of the masks were hung in an installation as part of the Discrepancy exhibition.  There were quotes from the men on  the walls near where the masks were hung.  It was a very moving display.  Some of the veterans came anonymously to the opening, to see how their masks were viewed, how people reacted to them.   This is what Nancy later wrote about the private viewing she shared with the veterans from the program.

One of the most recurring comments from them was, they didn't think people actually cared. so this had a big impact on them. THat people would stop and read, and look. They felt seen and heard.  It is a BIG issue. Whether it is the mliitary environment, home, work or community, they are taught to tough it out and deal. not ask for help or show vulnerability.  They acknowledged that serves a soldier well for the job he is asked to do, but what about when they come back? For those with "invisible injuries"  like PTSD, they have little release, or tools to let go or expose their feelings. It is equated with weakness.  
One of the vets said to me, "when I walked around the room and read the artists statement, I understood, that we are not so far apart. We feel the same way. " and that was BIG revelation for him. Others agreed.  They said, they were a little anxious about what they were going to find when they came in. They expected something more political or divisive because that is what they see everywhere else. 
Before they left, I headed back to the masks to the one guy who had a mask in the show but hadn't said anything. I said, "what do you think?". he extended his hand, and said "Thank you, ma'am for doing this.  I really didn't think people cared.".   He said low morale is one of the leading causes of death when they are over there. I think they see the divisive left/right nature of the media as overall non support. As we walked out, he told me he had been in Iraq for 2 1/2 years. He told me the exact date of when he went in and when he got out, as if each day was counted and lasted an eternity. He said, he lost so many friends who were married with families.He said, " I only have my parents. they had wives and kids. it just isn't right.  I would trade my place today with any one of them if I could. ". I got a glimpse and only a glimpse of how it is different for each one of them. Collective injury, but specific personal trauma. 
 
There is something so wrong with a country that asks the men and women who volunteer, to fight for our country but ignore their needs and the damage that they endure, when they come home.  We just aren't doing enough.   Here is a link to the Pathway Home website.

Saturday, September 3, 2011

A Little Relief - The Opening

RECEPTION
Last night was the opening reception for the exhibition Marlys and I put together of all 6 x 8 inch reduction relief prints.  Wil McNabb Jewelry Studio changes out the art every month and puts on a nice little spread for First Friday's Artwalk.  Sue Alpern is responsible for the art at Wil's and has a great eye when it comes to hanging the shows.  Marlys and Sue laid it all out Thursday night and did the hanging Friday morning.  Diana Hartley, Marlys and I framed all 22 pieces earlier in the week and they looked great with uniform frames and sizes.

I have been teaching workshops in Nevada, California and Arizona and invited some of my "students" to submit prints for this show.  My students have ranged from the inexperienced to MFA's in printmaking.  I love how some people will learn a process and then just run with it. 

And people responded to the work.  It is accessible and eyecatching.  They are all curious about how it is made and impressed when they learn how challenging it can be.  David Williams, the printmaking teacher at Northern Arizona University, was impressed.  He said he would send his students to see the show because they are covering this medium in one of his classes. 

Here is a link to see more photos from the opening.

FLAGSTAFF
People kept pouring in, driven out of the heat of the desert to the high country cooler weather.  We came up on Thursday, late afternoon, and immediately felt happy to step out of the car.  After the show was laid out, we headed to Charleys for Burgers and Tiramisu with Marlys and Roger and Sue and Wil.

David and Julie
Friday was a lazy morning and then we headed for a wonderful lunch at Josephine's with Marlys and Roger, Diana and Mike and David and Julie.  Julie's prints were on the walls of the dining room we were in and David's prints were in the room next door.  It felt perfect.  And the fried green tomato sandwich was to die for.  After lunch we ended up back at David and Julie's where they graciously let us oooh and ahhh over all the prints on their walls as well as the work they have recently completed.  Julie's reduction woodcuts are inspirational and David's etchings are often weird but funny and poignant - but all masterful.  David and Julie are more of a draw for me than the cooler weather.  It is great to be able to talk about technical problems or new materials with such experienced printmakers.   (And they have a great dog named June!)

It's been a great little escape but now we must head back south.  Time to hit the studio for more art making!

Thursday, September 1, 2011

A LITTLE RELIEF

D. Hartley, "Faith"
M. Becker, "The Falcon"

M. Burruel, "Rest"
M. Farley, "Shades"
R. Todorova "Buildings in the Desert"

W. Willis, "Swimmers/Grey II"

Looking for a little relief from the Phoenix heat?

Head North this weekend for First Friday Art Walk in downtown Flagstaff...where you can also view "A Little Relief" at Wil McNabb Fine Jewelry (#14 on the map). http://www.flagstaffartwalk.com/guide.htm

Curated by Marlys Kubicek and myself, it is “a collective show of reduction relief prints featuring artists from Arizona, California and Nevada:  Miles Becker, Kimberley Boege, Manuel R. Burruel, Alondra Contreras, Meghan Farley, Susan Hartenhoff, Diana Hartley, Marlys Kubicek, Rossitza Todorova and moi.  On view until October 4th. All prints are 6"x8" or 8"x6"…just the Little Relief you’ve been looking for.

Wednesday, August 24, 2011

REGISTRATION is now open!

I am teaching two PRINTMAKING classes this Fall at the Phoenix Center for the Arts:

8 Saturdays
9 AM to 12 PM
September 17 – November 12
$171
WHAT A RELIEF!
Forget linoleum!  Discover new and wonderful relief printmaking surfaces:  Gomuban, Borco Board and Sintra.  They cut easier than traditional lino and each have their charm.  Explore these new materials and expand your mark-making tool box.



6 Mondays
10 AM to 2 PM
September 19 to October 24
$170
BEGINNING SOLARPLATE ETCHING
Turn those photos into artistic masterpieces!  Learn how take a photo you have taken and turn it into a fine art etching.  You will learn the solarplate process and how to put the artist's "hand" into your image. 

Here is a link to register for my classes.
1202 N. Third St. Phoenix, AZ 85004
(602) 262-4627

Monday, August 8, 2011

Fall Printmaking Classes at the Phoenix Center for the Arts


REGISTRATION OPENS AUGUST 22ND 2011

I am teaching two PRINTMAKING classes this Fall at the Phoenix Center for the Arts:

8 Saturdays
9 AM to 12 PM
September 17 – November 12
WHAT A RELIEF!
Forget linoleum!  Discover new and wonderful relief printmaking surfaces:  Gomuban, Borco Board and Sintra.  They cut easier than traditional lino and each have their charm.  Explore these new materials and expand your mark-making tool box.



6 Mondays
10 AM to 2 PM
September 19 to October 24
BEGINNING SOLARPLATE ETCHING
Turn those photos into artistic masterpieces!  Learn how take a photo you have taken and turn it into a fine art etching.  You will learn the solarplate process and how to put the artist's "hand" into your image. 

I haven’t seen the catalog yet but both classes should be under or at $200.  Online registration is not yet available but I will post when it is ready.

PHOENIX CENTER FOR THE ARTS
1202 N. Third St. Phoenix, AZ 85004
(602) 262-4627